Screen Machine

Goat

2pm

(PG) 1 hour 40 minutes

Director: Tyree Dillihay

Cast: Caleb McLaughlin, Gabrielle Union, Stephen Curry, Nicola Coughlan, Nick Kroll

Read the BBFC reporthere

Contains a sequence of flashing lights which may affect viewers who are susceptible to photosensitive epilepsy

In an all-animal world, Will Harris is a goat who dreams to be the greatest ever player of roarball – a fast and physical sport similar to basketball. The only problem is that all the best roarball players are the largest and fiercest animals. Basically the opposite of Will, who has always been told, ‘Smalls can’t ball!’

But Will won’t abandon his dream. Despite his size, he proves he can be a skilful competitor, and is signed by the Thorns. With his teammates unconvinced in his abilities, Will must show them that he has what it takes to make it to the top.

From the animators of Spider-Man: Into the Spider-Verse and KPop Demon Hunters, and produced by top American basketball player Steph Curry, this fast and fun sports-comedy lets everyone know that you can never be too small to dream big.

“a wondrously textured, kinetic world and some interesting oddball characters” Associated Press

“a highly original and rousing animated feature” Variety

“a slam dunk”TheWrap

PG: mild violence, rude humour, language

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H is for Hawk

Adapted from Helen Macdonald’s bestselling memoir, Claire Foy and Brendan Gleeson star in this candid drama about grief and human connection.

17:30pm

(12A) 1 hour 55 minutes

Director: Philippa Lowthorpe

Cast: Claire Foy, Brendan Gleeson, Sam Spruell, Josh Dylan, Denise Gough

Read the BBFC reporthere

Helen Macdonald’s life falls apart when her father Alisdair dies suddenly of a heart attack. Feeling like Alisdair was the only person who ever understood her, Helen’s heavy grief results in her withdrawing further and further from her working and social lives.

Having shared with her dad an interest in birds, Helen adopts a goshawk, who she names Mabel. Through her time training and living with Mabel, Helen learns that she cannot run from her grief, but must learn to navigate her emotions so she can continue to live her life without Alisdair.

Adapted from Helen Macdonald’s bestselling memoir, Claire Foy and Brendan Gleeson star in this candid drama about grief and human connection. Foy has received praise for her powerfully moving performance.

“balances bruising candour about mental health issues against arresting wildlife photography and a fervent appreciation of the natural world” Screen International

“boasts two brilliant lead performances — a magnificent Foy and an even more majestic Mabel” Empire

“Claire Foy is tremendously authentic in eccentric grief drama” The Guardian

12A: infrequent strong language, drug misuse, injury detail, sex references

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“Wuthering Heights”

Margot Robbie and Jacob Elordi star in this interpretation of Emily Bronte’s classic novel by Emerald Fennell, featuring a soundtrack from Charli XCX

20:30

(15) 2 hours 16 minutes

Director: Emerald Fennell

Cast: Margot Robbie, Jacob Elordi, Hong Chau, Shazad Latif, Alison Oliver, Martin Clunes

Read the BBFC reporthere

Since they were young, Cathy and Heathcliff have longed for one another. As they grow up, this turns to strong desire, but Cathy, from the wealthy Earnshaw family, cannot simply marry Heathcliff, a man of a lower class with a mysterious past.

The years pass and relationships change, but Cathy and Heathcliff remain forever bound. Their love transcends into an intoxicating forbidden passion, and should they dare to act, the fallout will be monumental and devastating for all.

Loosely based on Emily Bronte’s classic novel, this romantic drama from Emerald Fennell (Promising Young Woman, Saltburn) is an epic tale of intense emotions navigating the mores that can hinder and shape our connections. Featuring a soundtrack by Charli XCX.

“If you embrace the film’s audacious style and think of it as a reinvention not an adaptation, this bold, artful Wuthering Heights is utterly absorbing” BBC 

“a heaving, rip-snortingly carnal good time at the cinema” The Atlantic

“wildly fun, a fever dream come to life”London Evening Standard

15: disturbing images, strong sex, sex references, language

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